备注:已完结
类型:动作片
主演:Laurence Fishburne Stephen Baldwin
语言:英语
年代:未知
简介:派波(劳伦斯费许朋饰)是个一板一眼的落难英雄,不幸琅珰入狱,更不幸的是,狱方将他和道吉(史蒂芬鲍德温饰)铐在一起,在乔治亚州的树林内进行劳役。道吉是个电脑骇客高手,专门利用电脑窃取跨国际大公司的存款,可是他犯了一个大忌,她挑上的对象竟是古巴黑手党成立的傀儡公司。他不但〝读〞走古巴黑手党钜额的存款,还拷贝了一片足以瓦解黑道帝国的电脑磁碟片,但是对这个跨国际企业的“黑色背景”他却一无所知。古巴人想要夺回他们的钱和磁片,联邦警方千方百计要磁片的秘密档案,而原为警察的派波因为涉及毒品交易而被拖下水入狱,警方指派他卧底盯准道吉,如果他找到道吉手上的磁片,他就能提早出狱。没想到派波与道吉进行劳役时,突然爆发枪战,他们被迫越狱逃亡,手铐相连穿过乔治亚州的浓密树林,来到繁华的南方大都会亚特兰大市。 白道黑道都要取他们的命,黑白两悍将被情势所逼,在72小时之内一方面必须快马加鞭甩开追兵,另一方面得解开错综复杂的阴险计谋,逃过危机四伏的死亡陷阱。徒步、驾卡车、飙重型机车,与轨道上急驰而来的列车展开百米赛跑,走头无路坠入奔流的急湍…不择手段、不允许片刻思索。他们更要学著忍受彼此的个性和被铐在一起的处境,并扣准双方的节拍,携手拼老命的逃逃逃!
备注:已完结
类型:剧情片
主演:维果·莫腾森 勒达·卡代布 Djemel Barek 文森特·马丁 尼
导演:达维德·厄洛芬
语言:法语
年代:未知
简介:达吕(维果·莫腾森 Viggo Mortensen 饰)是一名在阿尔及利亚出生的法国人,如今,他在一处地处偏远的山区学校里担任着教师的职务。某日,一名警察出现在了达吕的面前,将一名五花大绑的犯人默罕默德(雷达·卡特布 Reda Kateb 饰)交给了达吕,这个男人被控告杀死了自己的堂兄,达吕要将他押往临近的村庄接受审判。 这门苦差事令达吕感到非常的头痛,因为他知道,只要默罕默德抵达了村庄,那么等待着他的就只有死亡,他不愿意做这样一个推手,但警察将默罕默德丢给达吕后就离开了,无奈之下,达吕只得带着默罕默德踏上了旅途。一路上,达吕不仅要提防默罕默德逃跑,还要保护他不受死者的亲属的袭击。
备注:已完结
类型:喜剧片
主演:Elliott Hanna 鲁茜·亨肖 Deka Walmsley A
导演:史蒂芬·戴德利
语言:英语
年代:未知
简介:A talented young dancer has to learn to fight for his dream despite social and parental disapproval.
备注:已完结
类型:剧情片
主演:Estela Inda Alfonso Mejía Roberto C
导演:路易斯·布努埃尔
语言:其它
年代:未知
简介:从少管所逃出来的少年哈伊伯(罗伯特·考博 Roberto Cobo 饰)带领小孩子们欺负街市上卖艺的瞎眼老头儿(米格尔·因克兰Miguel Inclán 饰),抢他的钱,敲破了他的鼓。傍晚,一个没名字的乡下孩子“小眼睛”(Mário Ramírez 饰)被父亲遗弃在集市 ,孩子们中一个叫佩德罗的(阿尔方索·梅嘉 Alfonso Mejía 饰)同情他,带他到朋友家的牛棚过夜。佩德罗自己因成天与小混混们在一块儿,不找工作帮衬家里,被妈妈(伊斯特纳·英达 Estela Inda 饰)厌恶,也被赶出了家门。而哈伊伯惦着一年前与另一少年的过节,让佩德罗带着他找其寻仇。佩德罗想要脱离哈伊伯,也想重获母爱回家,可事情却没想象的那么简单…… 本片获1951年戛纳电影节最佳影片提名,并获最佳导演奖。1953年,获英国电影电视协会最佳影片奖。
备注:已完结
类型:剧情片
语言:其它
年代:未知
简介:The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography. The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic. Gila Almagor in Tofano's siege is one of the first characters of the modern war widows to appear on Israeli cinema screens. The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film. It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief. Siege was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas. Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film. This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.
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